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9/21/10

Line and Other Marks and Trying New Media

Initially it felt quite inhibiting trying to fit the composition inside a small box, and I almost decided to do the designs on a larger area and cut and paste 5cm² pieces onto the sketchbook page. Instead I decided to persevere with trying small designs within the given area and after a while I got used to it. Infact I would say it was probably a good discipline for me to fit these designs into a thumbnail size area, generating a self contained composition in each box.
The small area became once more very apparent to me when using pastels which were tricky to maneouvre properly, but easier if used on the side of the flat end.
Added  interest and lift, I think was produced by adding colour contrasts and harmonies to some designs.

For certain types of marks in this exercise, I found the most enjoyable tools and techniques to use were:

Gel pen – for thin scratchy marks

Feather and ink (top end) held near opposite end, lightly twisted and flicked

Ink – with feather, homemade stick pens such as teasel and course grass stems and bamboo were all enjoyable for easily producing a wide variety of lines with, an often unpredictable outcome

Ballpoint pen – energetic and whispy

Watercolour crayons – grainy and smooth with the addition of a damp brush on some areas

Oil pastel – resist and scratching out

Soft media (charcoal, pastels etc.) - stipples for speed of coverage and relatively large scale

Soft pastels – easy to blend

Homemade sticks and ink ie. bamboo, teasel, reed, feather, coarse grass - a diverse range of marks and lines.